Monday, November 8, 2021

Up: The Emergence Perpendicular Citizens Brigade

Current mood: drained
Category: Movies, TV, Celebrities

Pixar's "Up" is an inevitable tale of the elderly. The first time we see bloodshed in a family CG film, and we get it from a cute old person. Not only are they using up all of the social security, they are looking to kick our ass. Be it with their four-pronged canes or attack dogs (I'd like to point out that there were no evil [or stupid] cats in this film), they are out to get their way.

Don't trust anyone over 40 never rang so true.

Hopefully, that drew you into this blog about a cute, family friendly film about the bond between like minded explorers regardless of age. Not as daring as "Wall-E" or "Family Guy's" Herbert and Chris relationship, but who needs innovation when you have a well told story...with talking dogs.

Pure bread dogs at that. With the lovable and dimwitted hero pooch Dug, there is either a hidden message about the need to accept everyone or that the meek will actually inherit the Earth. Both views can be seen as optimistic, but I'm hoping its the prior.

But let us get to the elderly conspiracy.

Mr. Fredrickson is a senior citizen who is trying to hold on to what he has after his wife Ellie passes away regardless of the industrialist pigs who want to run him out of town for whatever business seems appropriately placed across from a sushi fast food restaurant. In an "impulsive" reaction to the dust and inadvertent property damage, he attacks and injures a construction worker. Being a threat to society, he is going to have to go to a retirement home and forfeit his house.

Inspired by the dream he and his wife had, he would not go quietly into the night. Instead, he makes quite a spectacle when he decides to turn his house into a dirigible with the help of helium and thousands of party balloons. His quest, to place his house by Paradise Falls in South America like he and his wife had always planned. And with the help of an overzealous Wilderness Explorer named Russell it may work. That is, if they don't inadvertently interfere with the plans of the insane elderly explorer and his dogs' quest to capture the Monster of Paradise Falls.

Let me save the readers $3.00. Do not see the 3-D presentation of the film. Unless you are looking for the effects to make the viewer leave there seats, they are wasted. It may make a great theme park attraction, but not a movie going experience.

Besides, do you really want to play 3-D tricks that could leave the children in the audience (who won't shut up...the worse I remember from my generation was my li'l bro exclaiming, "the bear fell down" during the finale of a "The Fox and the Hound" reissue) in a panic. Pixar can be enjoyed by any audience, don't go out of your way to alienate those who tell their friends to drag their kids to your flick.

Also, Pixar's style is "cartoonish," so it is like my pseudo niece shoving a color form closer to my face. At least in her case it's a "Wonder Pet", Nick Jr's Terry Gilliam of their line up. They are supposed to mess with our mind...right?

Now on to the film. I can understand if it seems long at times to the supposed target audience, because it is really a film about the relationship of Fredrickson and Russell as opposed to actually achieving a task. So that's probably why the kid three rows back would not shut up, and I'm surprise their weren't calls by the wee ones to wee. But for the parents, the story is always building up to something bigger, so they should always be interested. Throw in the talking dogs, and you are rewarded with each step in the rising action of the story.

For me, if you spend this much time on character development, I'd expect a little more dialogue, but I think the universal experience of watching a kid that you didn't plan on watching allows any adult to relate and be frustrated with Fredrickson. And when you are frustrated like that, you know you can't speak...at least without yelling "ear muffs" first.

Beyond the story, there is nothing innovative about the film. It's Pixar's style, and I don't need it changed, so in essence I'm glad it is not much of a 3-D film. Especially, when I only paid $2.50 to see it.

Which reminds me, is "Cars" worth buying (maybe after getting to it a half decade from the original post)? It has movie cash, so I could see Up for free next time if it does.

Up seems to be missing a lot of the elements that made Pixar's film so grand (the soundtrack isn't memorable), but whatever elements it has makes the film worth anyone's full price admission. If you want a great story and great characters this is the film to see.

Up doesn't waste anything it has which is something most blockbusters fail to do, so at this point, it's the best...well I gotta a soft spot for "Watchmen", film of the year. Terminator Salvation can be your room noise this fall.

https://i.pinimg.com/564x/49/5a/3b/495a3bae1f30865b49e37742a12090ae.jpg
Buzzfeed - 16 Small Details That Prove "Up" Is The Greatest Pixar Movie Ever

2001 Maniacs: Setting Back Southern Relations...in an Ideal Way


"2001 Maniacs": Setting Back Southern Relations...in an Ideal Way

Since Roger Ebert is not on television anymore, so the only film expert (in 2010) I consistently follow is Chris Gore. He is Ebert-like in ways when it comes to inexplicable taste. How Ebert applauded the "Lara Croft" films, Gore is willing to show respect to the obscene.

Nothing wrong with the obscene, but it places you in the niche critic genre. As long as the Criterion Collection exists, your expert title may be inappropriate if you are recommending "Suicide Girls Must Die (which I did follow up on and was not disappointed.)." With that title, I wonder who is the real expert is, Gore or I.

But, when you are trying to find one hundred DVD rentals to critique (This review's draft was written in 2010.), you need some guidance. With a recommendation of the 2010 release "2001 Maniacs: Field of Screams", surely the prior film had to be worthwhile enough to warrant a sequel. Let us hope that sequel was not director Tim Sullivan's "Evil Dead 2" (A remake of the original meant to surpass it).

Tecumseh Sherman's devastation of the South have left generations of bitterness toward all Yankees. In Georgia, the town of Pleasant Valley seems to be the only folk who tolerate and even celebrate Northerners. So when eight spring breakers end up taking a detour into this town, they cannot resist the near royal treatment. They are to be the guests of honor at the Guts and Glory Festival. The townsfolk insist that stay till the barbecue finale, but one-by-one, the kids go missing, leaving them to wonder what their role truly is.

"2001 Maniacs" is a simple slasher with a decent sense of humor, but may have had too much budget for its own good. It would have had a little more charm as a z-budget feature, but with Robert Englund's Freddy Krueger obligations being done, I can see the wisdom in paying him the extra dough for name recognition.

There are some murders that require the extra finances, but this is not suppose to be a "great" film. I would have loved cheap effects and regular people (amateur actors) carrying this script. The script is something the viewer cannot claim to be high brow. Its pacing has some hiccups, but it is smart enough on how to make a generic story worthwhile, and makes sure every decadent thing needed for a gore-based comedy is present.

It is also encouraging that the film pulls no punches on the Southern stereotypes. The gore is great, but what may be truly offensive is how far they go in bad mouthing red necks. Fortunately, this film is clever enough to effectively use it as story elements.

These notes were originally written 11 years ago, so I had not seen "Tucker and Dale vs Evil". With that said, I did see the obnoxious "2001 Maniacs: Field of Screams", so maybe my conclusion is still valid.

Finding a smart horror movie about rednecks can be a task, but "2001 Maniacs" fits that bill. This low-budget feature maybe a bit too glossy for its own good, but its spirit remains intact. It is a gem for an insensitive, liberal gore hound.

2001 Maniacs Special #1 - comics.org
2001 Maniacs Special #1 - comics.org

Monday, November 1, 2021

#Podcast: Venom - Screw Narrative. Let There Be Carnage

NinetyForChill.com: The #Podcast

Episode 42: Venom - Screw Narrative. Let There Be Carnage (and Glow Sticks).

Need better filters Snapchat

Finally, a comic book movie that can be featured on "NinetyForChill.com - The #Podcast" All we needed was a Tom Hardy vanity project. If you only focused on the craziness of his prior performance(s) as the character(s) instead of the action that surrounded them, this flick double downs on this formula.
 

 
Yet again, NinetyForChill ends up being a comedy of errors. I originally had a returning guest scheduled to discuss the "Bill & Ted" trilogy. The time scheduled for the podcast recording was 8:00 pm on Sunday, October 31. We will find out when we do record why the date had to be changed. Was it because of Halloween festivities to attend? Or was he just wise enough to realize that the trick or treaters might mess up the audio? I hope to find out for next week's show.

As for me, since moving out from my parents, I just do not want to deal with the hassle of providing candy. (My streak continues with this being the 11th year.) In my case, the entire population around me are strangers. And because I primarily live in the living room, the moment my door is opened, all my cool stuff is on display.

Crime has been following me since I moved to Champaign/Urbana. Aside from a noise complaint (over "True Blood" being to loud), it has not been something I have had direct involvement with. I do not want to promote that there is a PlayStation 5 in this neighborhood. Gods, what would I do if they got my CM Punk and Superman Red Son Funko Pops!?
 
Mom had just returned from England, so I did not think running to my parents' house would be an appropriate place to hide. Thank the gods for the vaccine and cinemas. It is a lot easier to hide with the lights out when you can actually have volume to amuse you.
 
So why "Venom: Let There Be Carnage"? Well, I have been trying to set up a date to see "Last Night in Soho". My suggestions for movies to see were that, "No Time to Die", and "Venom". She said she had seen "Venom", and no opinion was stated on the latest James Bond film. "The French Dispatch" should have been offered, but I digress.
 
We are still working on arranging the Edgar Wright date, so I chose to see the movie she did not seem inclined to see again. And that worked out perfectly for this podcast. I needed content, and the feature's quality (or lack there of), left me with no qualms in regards to podcasting about it immediately. In other words, "Venom: Let There Be Carnage" may not be a 4K purchase.

Do not get me wrong. I had fun with this feature, but it is not an improvement upon the original. The relationship between our protagonists is great and made it worthwhile. It is like, what if Deadpool and Dopinder were just chilling out. But there is a super villain to fight. A super villain who was the centerpiece to the only 16-Bit comic book video game I considered trying back in the 90s, and that was something this Andy Serkis's film removed the interest from.

If only it were directed as well as Michel Gondry's "The Green Hornet"An R-Rating would have helped as well. All I am asking for is 10 minutes to lay out why I hope there is a "Venom 3". Hardy's Venom and Brock are fun. This may be the ideal time for a Kevin Smith script.



My Twitter account is @catbusruss. This is where I want your hate to be directed if you disapprove. Otherwise, positive feedback would be best displayed as subscriptions to my podcast and five-star reviews. Lets work that algorithm.

If you think you have a film or franchise that you are an expert on. Send an email to russthebus07@gmail.com. Most franchises have at least one feature that will qualify for NinetyForChill. The runtime just needs to be between 74 and 99 minutes. We have four episodes to fill.
 
I have been asking for weeks for assistance in composing an episode dedicated to vampire features like "The Lost Boys" trilogy, "Near Dark", and the "Underworld" movies. Here is to hoping that this bunch of critiques will stir up some inspiration in my audience to step up and hold off on the garlic. If this is a topic you up for discussing, feel free to send an email to russthebus07@gmail.com. All I need is a half hour on Zoom to get this done.

I hope I am impressing or at the very least amusing you with this podcast and I am open to any and all criticism. My biggest want is more guests and more suggestions on what to chat about (@catbusrussrussthebus07@gmail.com@coolmoviesdarth). If we can get 3 hours out of "Little Nicky", the possibilities are endless. Thanks for visiting.

 
After WrestleMania Backlash, I will tell you that we need to take zombie pro wrestling back. My suggestion is that we finally get my low-budget zombie movie, "Main Event of the Dead" off the ground. The script lacks a lumberjack match, so you know it has got to be better than the "Army of the Dead" advertisement. Ask for a treatment or give me suggestions on how to get it to a crowd-sourcing stage with an email to russthebus07@gmail.com.
 
Pinterest @UCMMX2

Pinterest @UCMMX2 

Tuesday, October 26, 2021

SkimbleSHANKS presents "Event Horizon" with Kodiak Thompson

Films Researched for this Podcast: Hellraiser (1987), Hellbound: Hellraiser II (1988), and Event Horizon (1997)

NinetyForChill.com: The #Podcast

Episode 41: SkimbleSHANKS presents "Event Horizon" with Kodiak Thompson.

The Sights Skimble Has to Show You.

Kodiak Thompson returns to the podcast to talk up Paul W.S. Anderson's attempt to combine "Alien" and "Hellraiser", "Event Horizon". Cool Movies Darth and his guest go over the most memorable video game features the auteur was behind as they try to figure out how this Lawrence Fishburne lead feature was Anderson's biggest financial bomb despite being his most original and impressive concept. It gets sad when you find out how much CG effects that look bad in 4K cost in 1997.
 

 
We obviously took a trip down memory lane with this feature being 24 years old. This haunted house in space is Anderson's second American directorial effort. He would go on to direct "Soldier" (which we failed to mention despite our swooning over Sean Pertwee) the following year, but otherwise, there is a 16-year gap between him working on projects that are not established IP (17 if you include the "Blade Runner" references in the Kurt Russell feature). It easy to thickly lay on the scrutiny of his talents with that resume.

Computer generated effects do not hold up from these turn of the century features, but that is not his fault. HDR just shows the seams. It may explain why he is an expert when it comes to 3D features. You cannot care to look at every detail if it flying at your face.
 
His talent comes from realizing his vision. When I say vision, it is solely what you see. As for stories, his 500 batting average with his "Resident Evil" franchise gives a warning of where he may come up short.
 
"Event Horizon" features his best ensemble and they are aware of the feature that they are making. It has moments of levity, but the actors do an extraordinary job at maintaining the film's tone. The film also earns bonus points for overlooking standard horror movie tropes and letting Lawrence Fishburne be the lead actor of this ensemble.
 
Despite what Screen Drafts's Co-commissioner Ryan Marker will have you believe, Sam Neill does a great job as the antagonistic scientist going mad. Kodiak and I dive into the concept of whether or not Dr. Weir knew where he was sending the faster-than-light spacecraft the film is named after. Was he no different than Uncle Frank from "Hellraiser"?

With the Clive Barker film serving as inspiration (Kodiak was up on his research.), I took the time to watch the first two films in the "Hellraiser" franchise. Those reviews are featured on this podcast.

Here is one last warning before heading into the last spooky pod of October. We both offer incites on Sean Pertwee, son of the Third Doctor Who. I go on about how Pertwee is not only a comforting face, but a great casualty to add to any feature. This leads me to do my best in selling Neil Marshall's "Doomsday" to his queue.



My Twitter account is @catbusruss. This is where I want your hate to be directed if you disapprove. Otherwise, positive feedback would be best displayed as subscriptions to my podcast and five-star reviews. Lets work that algorithm.

If you think you have a film or franchise that you are an expert on. Send an email to russthebus07@gmail.com. Most franchises have at least one feature that will qualify for NinetyForChill. The runtime just needs to be between 74 and 99 minutes. We have four episodes to fill.
 
I have been asking for weeks for assistance in composing an episode dedicated to vampire features like "The Lost Boys" trilogy, "Near Dark", and the "Underworld" movies. Here is to hoping that this bunch of critiques will stir up some inspiration in my audience to step up and hold off on the garlic. If this is a topic you up for discussing, feel free to send an email to russthebus07@gmail.com. All I need is a half hour on Zoom to get this done.

I hope I am impressing or at the very least amusing you with this podcast and I am open to any and all criticism. My biggest want is more guests and more suggestions on what to chat about (@catbusrussrussthebus07@gmail.com@coolmoviesdarth). If we can get 3 hours out of "Little Nicky", the possibilities are endless. Thanks for visiting.

 
After WrestleMania Backlash, I will tell you that we need to take zombie pro wrestling back. My suggestion is that we finally get my low-budget zombie movie, "Main Event of the Dead" off the ground. The script lacks a lumberjack match, so you know it has got to be better than the "Army of the Dead" advertisement. Ask for a treatment or give me suggestions on how to get it to a crowd-sourcing stage with an email to russthebus07@gmail.com.

Techi Muyo! In Love - Before Streaming Services Made Sequels

Techi Muyo! In Love - Before Streaming Services Made Sequels

Genre: comedy/sci-fi fantasy Length: 95 minutes (Theatrical Film) 
Audience Age: 13+
Opinion: A great video to view and to introduce those who are unfamiliar with the series.

This is a review of the dubbed VHS version (close captioned).

© 1996 AIC • Tenchi Muyo Committee • Pioneer Entertainment (USA) L.P.

Tenchi and company are watching an eight-millimeter film of Tenchi's mother, Achika, on her high school field trip to Tokyo (it is 8mm film because that was what they used in the 70's for home movies. The film has nothing that would have anything Nicolas Cage would need to investigate). Suddenly, our protagonist starts to disappear and the entire house starts to fall apart. Luckily, the self-proclaimed, most brilliant mind in the galaxy, Washu, is able to prevent our hero from vanishing and explain what is going on. By looking at each individual frame of the film, the group sees that Achika is slowly disappearing from the reel, so something must have happened in the past to cause this.
At the same time Tenchi and company are learning about this wrinkle in time, the Galaxy Police Headquarters is destroyed. The final transmission:
Class A Criminal Kain...
Who is Kain? Does this have something to do with the time trouble? No matter what this villain's involvement in this dilemma is; Tenchi, Ryoko, Ayeka, Sasami, Mihoshi, and Kione must go back in time to 1970 to prevent anything from happening to Achika. This is the only way to save their future, and to buy some cool souvenirs from the past.

The plot of Tenchi Muyo! In Love seems to put too many responsibilities on the Tenchi cast since they have enough problems handling normal situations in the "Tenchi Muyo! OVA series", but you know some how they will pull it out. I think the only other flaw with the film's screenplay is that like all other anime motion pictures ("Sailor Moon S: The Movie" as an example), it just comes across as overly dark and dreary. 

Beside for that script weaknesses, everything else about this film is great except for the hit and miss soundtrack by "Babylon 5's" Christopher Franke. I figure if you are going to get a Sci-fi, Western Society composer, get one with "Star Trek" experience or John Williams (for any of those nerds who feel I'm insulting Bab 5, e-mail me at bitemeotakus@animeflow.cubs). All of the technical aspects of this film have really been stepped up from the prior series, "Tenchi Muyo!" and "Tenchi Universe", which is a real treat for those established fans of the Tenchi series.
The numerous qualities of Tenchi the Movie make this a great video to view and to introduce those who are unfamiliar with the series since all the characters' quirks overcome the need for exposition about them. Personally, this may be the strongest Tenchi title since I was willing to buy a new copy after a anime tape-viewing marathon/fumbling incident destroyed my first copy. If that is not a great testimonial, I do not know what is.
 

76-Minutes DVD - "When Evil Calls", It Is Misleading.

76-Minutes DVD - "When Evil Calls", It Is Misleading. Lionsgate cannot appropriately promote a Winstone Sister DVD. Ray should hav...