Monday, January 6, 2025

90 min. Family Video: "Skeleton Crew" a Reason to Dread Old Notebooks

We may have finally (2009) returned to the hay day of 80's horror renting bliss with "Skeleton Crew". Indistinguishable box art (Is this an Asian flick?), a trailer referencing horror films not even a decade old, acknowledgement that its simple plot is a rip off of a recent film, and Anchor Bay distributing the film takes me back to me wondering what evil the aisle closest to the register of Morton's Village Video had to offer.


If Starz Studios have given this aspiring gornography tribute a fraction of what it gives to "Crash: The Series", "Skeleton Crew" may have promise as a good film, but lets be realistic (and lets acknowledge that this was written while I was in college, so Wikipedia was a no-no.). For the most part, Starz does not even show its "original" (Crew is a Finnish-Russian import.) on their networks, and it probably would not help sway people from HBO and Showtime (I am subscribed to Starz via Hulu right now, and this picture is not in the library.).

Maybe Starz should just show some live fights, but if "Skeleton Crew" delivers on low-budget gore, I could care less about their network's Nielsen Ratings (Again, this review was written in 2009). Yes, I am greedy, like everyone who gets a movie package. 200 channels is not enough.


Steve is trying to bring the world his low-budget horror masterpiece (If anyone is interested, I have been developing a low-budget horror film, "Main Event of the Dead" a pro-wrestling themed zom-com. Email russthebus07@gmail.com if you would like to view the story treatment or have promotion advice.). To capture the essence of this true story, he decides to shoot at the mental institution where the grizzly murders of the serial killings of the snuff director known as The Auteur took place. The project is not going well.

The producer is stingy, the Finnish crew is threatening to walk off, and the lead actress is demanding (to her credit putting in some extra effort) to star in the sequel. There does not seem to be a way to save the project, but after a hidden collection of the Auteur's films is found, Steve has developed a new approach to filming the brutality. His sanity will be the cost of this cutting-edge style. Will the crew be able to survive this tribute to a demonic mind?

To claim there is bare bones gore in "Skeleton Crew" would be generous. The beginner's level camera work, sub-par nudity and clueless story make this a film that lacks guts or heart. I hope this is because they wanted to nail the film to its title, but that would even be too clever for this project.

Production values should not have held this title back. If this is an homage to classic slashers, one would figure that the creative staff would have at least listened to a Sam Raimi commentary track to know how to do gore on the cheap. The viewers get to see gore but they are not being treated to it. There is nothing suspenseful in how it is created.

At one point, a drill is driven into a skull, but the wound is not cool if we do not see an entry or a reaction to the tool through the dome. For sitting through this wretched delivery, we get to see the wound, but if we wanted to see inanimate head trauma, we could just walk down the Wal-Green's Halloween aisle. I do not know how big this holiday is in Finland, but the effects leave me feeling that this film was shot around this season.

And what is the deal with Finland? I know the Swedes put effort into their performances and nudity (I had gone to the theater to see "The Millennium Trilogy" that summer.). Is it because they are Scandinavia's number four country that they can only put in a fourth place effort? You are not even on the podium.

I have taken two years of junior college Mandarin, and because I do not speak it fluently, I know you have to show emotion when you speak. That way people understand how you feel so that they can then guess what my broken tongue is spewing. If you do not get emotions right with a second language, you are just considered an attention-starved foreigner. This maybe the right motivation for our female lead and her relationship with the director, but when they are not fooling around, the performance in telegraphed in.

The only element of acting by any character in this film is that some are caricatures of emotions. A couple of them are angry, a couple are snooty, but range is not offered by anyone.

As for the nudity, all we get are a few butts of both gender. This is horror for DVD, it has to be abundant to satisfy the audience (I was so disappointed in this film, it seems I did not stick around to the post-credit scene that joked about this. Thanks Wikipedia.). And it has to look objectifying and good, especially from our lead actress.

This is entertainment for the lowest common denominator. Hence, if you are going to flaunt your body around for them, it better be in shape. The lead actress is not ugly, but she seems to have never done a push up or squat in her life. Her butt is its own separate entity from her torso, and her under arm fat is not in check. If this were a good slasher flick, she would be the chick killed just before the massacre really kicks off.

This film is based on a script that is not even worthy of being called a Troma knock off. The writers were aware of how poorly their writing was going, but instead of starting a new draft, they try to throw twists in to try and cover up the holes while inadvertently creating new ones. "Skeleton Crew" is to what IDOT is to Illinois roads.

The roads comparison is an undeserved compliment. Illinois roads were at least built properly once. This script abandons proper story telling, so it is like it has never been paved.

"Skeleton Crew" does nothing for the world of lousy cinema. No hot starlets to chase, no performers to look for in future films, and gore that is shamed by Christian Hell Houses show all directors what not to do when making a film.

https://www.imdb.com/title/tt1297945

"See No Evil 2:" Will There be 12 Rounds for Kane?

I must say, I have not been in much of a mood for writing lately. If you're a loyal reader (a possibility) you've probably taken note. Worry not, there have been blogs written, they're just real downers. When you're having enough issues feeling down, you question whether or not the wallowing should be spread.


Perhaps that's why Iowans' love their pig gestation crates. Confines where movement is prohibited maybe hellish, but at least the shit stays in the same place.

After the negative, figuratively vocal, reaction to my last blog, it felt my opinions on wrestling were not wanted. Hind sight, I should have just addressed Matt Cage about it since his first gimmick started with ironic awareness of the meaning of the rebel flag, but I digress.

Two weeks later, opinions about the topic of race relations in wrestling was at its highest demand, but when you just assume that Christian Rose, Moondog Bernard/Mr. Bernard, Gavin Alexander, etc. would deny my sincerity because they feel it's a non-issue, did I really want unwarranted hate sent my way? They may not be racist, like Hulk Hogan was in 2007, but they are definitely hateful. I suppose the Confederate Flag just rallies hate, it just needs an outlet to be exposed.

Soska Sister's 3rd Feature
Now, I'll digress. Maybe I should post the unpublished blog "Wrestlers Only Read when Hate May Be Involved" just to draw their eyes to this movie review.

This blog probably will not be posted until the next episode of "Raw." Hopefully, when I get Fridays at the hotel, I'll be able to publicize these more. In this case, I want to see if I'll cool down more from the commentary of two undeserving, talent-free guys who are getting to pursue my passion.

It may not be the depression and alienation that's making writing a chore, it's the grudges. If I find out either is a White Sox fan, I may have to fuck them up out of principle. Too much sin.

Sorry it took seven paragraphs to get to a transition, but it may have been fate, a paragraph per deadly sin.



See No Evil 2:

It would be spoiling the previous film if I was to theorize how Jacob Goodnight (Isaac Yankem DDS) survived his comeuppances (I'm thinking the sterile substance from the only joke in the first film that was administered to his most noticeable wound prevented any infection), but he is definitely going to need a few hours to recuperate. A morgue maybe the ideal spot for him to regain his strength. There should not be too much noise to disturb him during the graveyard shift. Unfortunately, he ends up at the one where the noble Amy works.

When it comes to selflessness, no one can beat Amy. Because of the eight victims from the Blackwell Hotel were sent their way, she decides to for go with the birthday bar hopping to help out Seth and Holden. And for her selflessness, she has great friends, who Holden invites to the human freezer to throw a surprise party for her, complete with a makeshift bar.

Twenty-somethings and alcohol can only lead to one thing, sin. That's something Jacob doesn't need to deal with on top of his injuries and mourning the loss of his mother. If any of these kids decide to have sex on the examining table next to him, he may finally realize that he must become the hand of God that mommy raised him to be.

"See No Evil 2" is the first feature length film that Jen and Sylvia Soska did not write. With two low-budget classics to these auteur's credit ("Dead Hooker in a Trunk" and "American Mary"), it is easy to expect an inferior product since the pen is out of their hand. Fortunately, Nathan Brookes and Bobby Lee Darby seem to have an idea who would direct this feature, so despite it is not a Twisted Twins script, it seemed to be catered to their talents. It still does not show an appreciation to all of their kich, but it at least makes the feature fun unlike its predecessor.

The story allows itself to be goofy, and since this is a film starring a wrestler, that is something that should not be avoided. It comes across as an homage to the high teenage body count films of the 80's and is playful in relying on classic horror and Warner Bros. cliches. Katherine Isabelle of "Ginger Snaps" and "American Mary" fame is excellently cast in this feature since her most notable features are very much about this attitude. If you have never truly taken the American gore genre seriously, which I rarely do, you will not be wasting 90 minutes of your life.

Of course the film has faults. Outside the billed talents and the two male coroners, there is not much great acting displayed in the performances. The limited environment for the story to play out in hinders the film's aesthetic. At least with the first film of the franchise, a mysterious hotel allowed for surprising environments for the characters. Being in a normal building with low ceilings, the surprises only have one spot to appear, right in front of the characters.

The most notable flaws are with the script. It eventually abandons logic and vulnerabilities of the villain, so you may not care about how he can be defeated. Because the Soska's are not allowed to utilize over-the-top-gore, you start to feel indifferent about the death scenes. If it had one scene that was equivalent to the semi-truck arm-severing scene from "Dead Hooker in a Trunk," this could be forgiven. Goodnight's franchise can still have life in it, but these mistakes remove the personality of the draw. Ironic because allowing Goodnight more dialogue and methodical thought patterns was a strength of the film.

"See No Evil 2" may not be a horror classic, but it is amusing enough to give a chance. It also shows that the WWE can build something out of a total let down, if the right minds are behind it. If WWE give the Soskas more control of a sequel, this franchise can only get better. Perhaps the Twisted Twins should manage Roman Reigns.



With the incite presented in this blog, perhaps you'll be inspired to offer your services in my creative effort to promote the production of my screenplay, "Main Event of the Dead."


The "Main Event of the Dead" Test Reel Needs:
  • Someone with some makeup or special effects experience.
  • The true antagonist of the feature is a woman, so an actress to set up the premise of "Main Event of the Dead."
  • Three or four wrestlers to take the finishing moves.
  • One or two wrestlers to deliver the moves.
  • A wrestling ring with a canvas that can afford to be left a little messy. If we can get extra from the crowd-funding campaign, we'll make replacing it a priority.
Since this is an effort to try and make this feature a reality, I can really only afford to compensate what ever is spent to make this video. I am willing to negotiate terms on what compensation will be for performances before the reel goes online. If whatever raised can cover the compensation agreed to, even if I do not reach the goal to produce the film, compensation will be had.

If you need a treatment of the script for "Main Event of the Dead" please e-mail me at russthebus07@gmail.com.

"Labyrinth" a.k.a. "Bowie: The Movie" & "Hard Target" or "JCVD vs. The Mummy"

 

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 193: "Labyrinth" or What My Niece Called "Bowie: The Movie" with HappyBeebsMeowMeow

Eva a Cat Insane

It was not a very scary "spooky month" for "⁠Ninety For Chill: The Podcast⁠", but ⁠CatBusRuss⁠ can deliver on finding guests who can provide monsters to enjoy. ⁠Brandy "HappyBeebsMeowMeow" Stonum⁠ returns to the podcast to discuss her favorite movie of all time, "⁠Labyrinth⁠" from ⁠Jim Henson⁠.

Brandy remembers this film fondly. She was only two when the film came out in 1986, but it had such an impact on her family that her little brother was named Jareth, the character portrayed by the father of modern alternative rock, ⁠David Bowie⁠. As for the lasting impact on ⁠Russ⁠ and his older sister, ⁠ThePoeticCritic⁠, this was the two's first real exposure to this musical god, but more importantly, The Muppets (more accurately, Jim Henson's Creature Shop) as a source of drama. It also may have prepped them for Mom's love of anything English as ⁠Terry Jones⁠'s script left them in a good place to appreciate "⁠Monty Python's Flying Circus⁠".

And of course, as many suggest, all parties involved with this episode consider the children's feature to be a catalyst of sexual awakening. Those wardrobe choices will be discussed.

 

Episode 197: Pik'n Away at "Hard Target" with CouchManBakes

Eva the Queen Kitty is comfortable knowing she is too hard a target

Andrew "CouchManBakes" Tiede⁠⁠ must have been sure that ⁠⁠CatBusRuss⁠⁠ was going to get his panel approved for ⁠Fan Expo New Orleans 2025⁠⁠. Why else would he have requested to cover perhaps the best narrative ⁠⁠Jean-Claude Van Damme⁠⁠ had ever starred in, ⁠⁠John Woo⁠⁠'s "⁠⁠Hard Target⁠⁠"?

That is presumptuous statement, but would it not be great for "⁠Ninety For Chill: The Podcast⁠" to have provided a friendship for our host where a guest can be on the same wave length? ⁠CatBus obviously had posted a fan art image of this nineties gem on his Instagram⁠ when he was making a call out for guests. It is a surprise that it took so long for this show to cover this feature because it is essentially, "What if "⁠Commando⁠" had known assets to face off/support our uber hero".

We do not mean that as shots against the talents of William Duke, David Patrick Kelly, Bill Paxton, and Rae Dawn Chong, but ⁠Wilford Brimley⁠ Cajun accent is a lot more fun than Dan Hedaya's Central American. Sorry Vernon Wells, you were not a known commodity in 1985. ⁠Lance Henriksen⁠ was very mush that in 1993.

This is a charming take on "The Most Dangerous Game" set in New Orleans. At least ⁠Sam Raimi⁠ decided to give the rundown Detroit tropes a rest for this feature. It is a silly tale of a Louisianan merchant sailor from the Marines being hunted for sport, but it delivers great action and asks the question, how could we ignore "The Mummy" giving us a virtually mute ⁠Arnold Vosloo⁠?

After this film, not letting him deliver English dialogue is awful. Surely Stephen Sommers did not want to hurt our feelings.

 

Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.

A Trilogy for Twin Cities Con 2024

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 195: Live From Twin Cities Con 2024 - Ninety For Chill: The Panel

Eva the Queen Kitty with the spoils of TC Con

CatBusRuss⁠'s ⁠Blue Snowball⁠ was enough to capture the vibe of 2024's ⁠Twin Cities Con⁠. Our host and his big sister, ⁠ThePoeticCritic⁠ introduced Minneapolis to "⁠Ninety For Chill: The Podcast⁠" and after a little time, they got a pretty good crowd who were more than willing to give the two some "Wahoos".

Of course, ⁠Russ⁠ did not have his resources to recall that ⁠Crowley⁠ quote correctly, so it may have just been some woohoos. As the ⁠worm in "Labyrinth"⁠ would say "But that's close enough".

It turned out to be an opposing conversation between the two siblings. CatBus wanted to play up his LLC "I Dig Crazy Flicks" and talk about sub 100-minute movies that are bonkers. His elder wanted to focus on why movies are just too long. The audience seemed to agree with her thesis, and the Gen Z kids were behind it with commentary like "how hard is it to kill one shark?"

Hopefully, the kids will be inspired to check out the Stevens siblings discussing ⁠why movies that were released before 1975 are still artistically relevant⁠. The audience did not appear to think that they were too harsh on the MCU.

All in all, these two Peorians were able to come out victorious. Their panel's supervisor stated that they were given the worst time slot being booked up against Hayden Christensen. With a score of people at the end, the two kicked the Dark Side in the balls.

 

Bonus 6: Twin Cities Con 2024 - Day 1: Vampire in Brooklyn (Park, MN)

CatBusRuss⁠ and ⁠ThePoeticCritic⁠ have settled into Minneapolis to prepare for "⁠Ninety For Chill: The Podcast⁠" at ⁠Twin Cities Con⁠. Of course they are taking advantage of the weekend passes they were provided in exchange for the fried gold they are to deliver on Saturday, November 9.

ThePoeticCritic was content with the floor, a "What If...Doctor Who" panel, and karaoke. ⁠CatBus⁠ was scouting out other podcaster panels to prepare for his own. Be it a discussion of what makes a truly evil yet lovable villain, a Christian-themed nerd podcast being hijacked by the amateur Pokemon casters, our host thinks he has everything needed to be prepared for his time on stage.

But speaking of evil, Emperor Palpatine himself had a panel. ⁠Ian McDiarmid⁠ had a lot of fun talking about the joys of the stage and working with George Lucas. If anything was off limits, it was dealing with the current state of politics. It kind of makes you wish that Trump actually watched movies. We would have gotten to this hellscape a lot sooner and have the rebellion prepared.

If there was anything more sinister than Darth Sidious, it was the layout of Twin Cities Con. To not think about that, Russ has included his review of ⁠Wes Craven⁠'s "⁠Vampire in Brooklyn⁠" starring ⁠Eddie Murphy⁠. Lets hope that Saturday will be all sunshine and rainbows. Russ was once pro-wrestling's Sith Lord. The audience best be kind.

 

Bonus 7: Twin Cities Con 2024: Booze, Brian, "Blood and Bone"

CatBusRuss⁠ wraps up the last two days of ⁠Twin Cities Con⁠ and does his best to provide drunken affirmations to his guest for "⁠Ninety For Chill: The Panel⁠", ⁠ThePoeticCritic⁠. This may have been the most patience his big sister ever displayed to him.

Our host decided to open this bonus episode of the podcast with tales of day three of the con, which was not much more than the⁠ Brian Posehn ⁠and some shopping. This decision was made after he listened to his drunken audio to make sure it was usable. As it turns out, ⁠Russ⁠ failed to talk about the day two "⁠Hazbin Hotel⁠" panel during that recording, so at least day three chatter is more than asking Brian about not getting to curse in his "⁠Deadpool⁠" comic book run.

As for day two, the two siblings talk about how well they thought the panel went and a panel that our host attended about what makes "Junk Food Cinema". This at least kept his mind off of the lousy karaoke and security set up.

So we have the Brian and the Booze, where's the blood and bone? Well, to justify the Netflix write off, CatBus went and reviewed the 2009 ⁠Michael Jai White⁠ action flick "⁠Blood and Bone⁠". It is like "Lionheart" but without JCVD's tears.

 

Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies. 

Taking Quad Cities Comic Con to 1985, Fan Expo Chicago 2026, Video Game Cinema

I Dig Crazy Flicks with @CatBusRuss Episode 282 - Missouri Comic Con: 1985 Action Movie Triple-Threat Match CatBusRuss ⁠ once again present...