We may have finally (2009) returned to the hay day of 80's horror renting bliss with "Skeleton Crew". Indistinguishable box art (Is this an Asian flick?), a trailer referencing horror films not even a decade old, acknowledgement that its simple plot is a rip off of a recent film, and Anchor Bay distributing the film takes me back to me wondering what evil the aisle closest to the register of Morton's Village Video had to offer.
If it does not involve pro-wrestling, this is Russ Stevens's effort to create the one stop blog for movies that are cut to the ideal run-time, 90 minutes. This blog may feature films that may range from 71 minutes to 1 hour 40 minutes, but 101 minutes and up are too long. An hour and a half can justify cutting a film into two chapters and a book into three. Hobbits and Katniss have too many ending, consider this an effort to stop that.
Monday, January 6, 2025
90 min. Family Video: "Skeleton Crew" a Reason to Dread Old Notebooks
"See No Evil 2:" Will There be 12 Rounds for Kane?
I must say, I have not been in much of a mood for writing lately. If you're a loyal reader (a possibility) you've probably taken note. Worry not, there have been blogs written, they're just real downers. When you're having enough issues feeling down, you question whether or not the wallowing should be spread.
Perhaps that's why Iowans' love their pig gestation crates. Confines where movement is prohibited maybe hellish, but at least the shit stays in the same place.
After the negative, figuratively vocal, reaction to my last blog, it felt my opinions on wrestling were not wanted. Hind sight, I should have just addressed Matt Cage about it since his first gimmick started with ironic awareness of the meaning of the rebel flag, but I digress.
Two weeks later, opinions about the topic of race relations in wrestling was at its highest demand, but when you just assume that Christian Rose, Moondog Bernard/Mr. Bernard, Gavin Alexander, etc. would deny my sincerity because they feel it's a non-issue, did I really want unwarranted hate sent my way? They may not be racist, like Hulk Hogan was in 2007, but they are definitely hateful. I suppose the Confederate Flag just rallies hate, it just needs an outlet to be exposed.
Now, I'll digress. Maybe I should post the unpublished blog "Wrestlers Only Read when Hate May Be Involved" just to draw their eyes to this movie review.
This blog probably will not be posted until the next episode of "Raw." Hopefully, when I get Fridays at the hotel, I'll be able to publicize these more. In this case, I want to see if I'll cool down more from the commentary of two undeserving, talent-free guys who are getting to pursue my passion.
It may not be the depression and alienation that's making writing a chore, it's the grudges. If I find out either is a White Sox fan, I may have to fuck them up out of principle. Too much sin.
Sorry it took seven paragraphs to get to a transition, but it may have been fate, a paragraph per deadly sin.
It would be spoiling the previous film if I was to theorize how Jacob Goodnight (Isaac Yankem DDS) survived his comeuppances (I'm thinking the sterile substance from the only joke in the first film that was administered to his most noticeable wound prevented any infection), but he is definitely going to need a few hours to recuperate. A morgue maybe the ideal spot for him to regain his strength. There should not be too much noise to disturb him during the graveyard shift. Unfortunately, he ends up at the one where the noble Amy works.
When it comes to selflessness, no one can beat Amy. Because of the eight victims from the Blackwell Hotel were sent their way, she decides to for go with the birthday bar hopping to help out Seth and Holden. And for her selflessness, she has great friends, who Holden invites to the human freezer to throw a surprise party for her, complete with a makeshift bar.
Twenty-somethings and alcohol can only lead to one thing, sin. That's something Jacob doesn't need to deal with on top of his injuries and mourning the loss of his mother. If any of these kids decide to have sex on the examining table next to him, he may finally realize that he must become the hand of God that mommy raised him to be.
"See No Evil 2" is the first feature length film that Jen and Sylvia Soska did not write. With two low-budget classics to these auteur's credit ("Dead Hooker in a Trunk" and "American Mary"), it is easy to expect an inferior product since the pen is out of their hand. Fortunately, Nathan Brookes and Bobby Lee Darby seem to have an idea who would direct this feature, so despite it is not a Twisted Twins script, it seemed to be catered to their talents. It still does not show an appreciation to all of their kich, but it at least makes the feature fun unlike its predecessor.
The story allows itself to be goofy, and since this is a film starring a wrestler, that is something that should not be avoided. It comes across as an homage to the high teenage body count films of the 80's and is playful in relying on classic horror and Warner Bros. cliches. Katherine Isabelle of "Ginger Snaps" and "American Mary" fame is excellently cast in this feature since her most notable features are very much about this attitude. If you have never truly taken the American gore genre seriously, which I rarely do, you will not be wasting 90 minutes of your life.
Of course the film has faults. Outside the billed talents and the two male coroners, there is not much great acting displayed in the performances. The limited environment for the story to play out in hinders the film's aesthetic. At least with the first film of the franchise, a mysterious hotel allowed for surprising environments for the characters. Being in a normal building with low ceilings, the surprises only have one spot to appear, right in front of the characters.
The most notable flaws are with the script. It eventually abandons logic and vulnerabilities of the villain, so you may not care about how he can be defeated. Because the Soska's are not allowed to utilize over-the-top-gore, you start to feel indifferent about the death scenes. If it had one scene that was equivalent to the semi-truck arm-severing scene from "Dead Hooker in a Trunk," this could be forgiven. Goodnight's franchise can still have life in it, but these mistakes remove the personality of the draw. Ironic because allowing Goodnight more dialogue and methodical thought patterns was a strength of the film.
"See No Evil 2" may not be a horror classic, but it is amusing enough to give a chance. It also shows that the WWE can build something out of a total let down, if the right minds are behind it. If WWE give the Soskas more control of a sequel, this franchise can only get better. Perhaps the Twisted Twins should manage Roman Reigns.
- Someone with some makeup or special effects experience.
- The true antagonist of the feature is a woman, so an actress to set up the premise of "Main Event of the Dead."
- Three or four wrestlers to take the finishing moves.
- One or two wrestlers to deliver the moves.
- A wrestling ring with a canvas that can afford to be left a little messy. If we can get extra from the crowd-funding campaign, we'll make replacing it a priority.
"Labyrinth" a.k.a. "Bowie: The Movie" & "Hard Target" or "JCVD vs. The Mummy"
Ninety For Chill: The #Podcast with @CatBusRuss
Episode 193: "Labyrinth" or What My Niece Called "Bowie: The Movie" with HappyBeebsMeowMeow
It was not a very scary "spooky month" for "Ninety For Chill: The Podcast", but CatBusRuss can deliver on finding guests who can provide monsters to enjoy. Brandy "HappyBeebsMeowMeow" Stonum returns to the podcast to discuss her favorite movie of all time, "Labyrinth" from Jim Henson.
Brandy remembers this film fondly. She was only two when the film came out in 1986, but it had such an impact on her family that her little brother was named Jareth, the character portrayed by the father of modern alternative rock, David Bowie. As for the lasting impact on Russ and his older sister, ThePoeticCritic, this was the two's first real exposure to this musical god, but more importantly, The Muppets (more accurately, Jim Henson's Creature Shop) as a source of drama. It also may have prepped them for Mom's love of anything English as Terry Jones's script left them in a good place to appreciate "Monty Python's Flying Circus".
And of course, as many suggest, all parties involved with this episode consider the children's feature to be a catalyst of sexual awakening. Those wardrobe choices will be discussed.
Episode 197: Pik'n Away at "Hard Target" with CouchManBakes
Andrew "CouchManBakes" Tiede must have been sure that CatBusRuss was going to get his panel approved for Fan Expo New Orleans 2025. Why else would he have requested to cover perhaps the best narrative Jean-Claude Van Damme had ever starred in, John Woo's "Hard Target"?
That is presumptuous statement, but would it not be great for "Ninety For Chill: The Podcast" to have provided a friendship for our host where a guest can be on the same wave length? CatBus obviously had posted a fan art image of this nineties gem on his Instagram when he was making a call out for guests. It is a surprise that it took so long for this show to cover this feature because it is essentially, "What if "Commando" had known assets to face off/support our uber hero".
We do not mean that as shots against the talents of William Duke, David Patrick Kelly, Bill Paxton, and Rae Dawn Chong, but Wilford Brimley Cajun accent is a lot more fun than Dan Hedaya's Central American. Sorry Vernon Wells, you were not a known commodity in 1985. Lance Henriksen was very mush that in 1993.
This is a charming take on "The Most Dangerous Game" set in New Orleans. At least Sam Raimi decided to give the rundown Detroit tropes a rest for this feature. It is a silly tale of a Louisianan merchant sailor from the Marines being hunted for sport, but it delivers great action and asks the question, how could we ignore "The Mummy" giving us a virtually mute Arnold Vosloo?
After this film, not letting him deliver English dialogue is awful. Surely Stephen Sommers did not want to hurt our feelings.
A Trilogy for Twin Cities Con 2024
Ninety For Chill: The #Podcast with @CatBusRuss
Episode 195: Live From Twin Cities Con 2024 - Ninety For Chill: The Panel
CatBusRuss's Blue Snowball was enough to capture the vibe of 2024's Twin Cities Con. Our host and his big sister, ThePoeticCritic introduced Minneapolis to "Ninety For Chill: The Podcast" and after a little time, they got a pretty good crowd who were more than willing to give the two some "Wahoos".
Of course, Russ did not have his resources to recall that Crowley quote correctly, so it may have just been some woohoos. As the worm in "Labyrinth" would say "But that's close enough".
It turned out to be an opposing conversation between the two siblings. CatBus wanted to play up his LLC "I Dig Crazy Flicks" and talk about sub 100-minute movies that are bonkers. His elder wanted to focus on why movies are just too long. The audience seemed to agree with her thesis, and the Gen Z kids were behind it with commentary like "how hard is it to kill one shark?"
Hopefully, the kids will be inspired to check out the Stevens siblings discussing why movies that were released before 1975 are still artistically relevant. The audience did not appear to think that they were too harsh on the MCU.
All in all, these two Peorians were able to come out victorious. Their panel's supervisor stated that they were given the worst time slot being booked up against Hayden Christensen. With a score of people at the end, the two kicked the Dark Side in the balls.
Bonus 6: Twin Cities Con 2024 - Day 1: Vampire in Brooklyn (Park, MN)
CatBusRuss and ThePoeticCritic have settled into Minneapolis to prepare for "Ninety For Chill: The Podcast" at Twin Cities Con. Of course they are taking advantage of the weekend passes they were provided in exchange for the fried gold they are to deliver on Saturday, November 9.
ThePoeticCritic was content with the floor, a "What If...Doctor Who" panel, and karaoke. CatBus was scouting out other podcaster panels to prepare for his own. Be it a discussion of what makes a truly evil yet lovable villain, a Christian-themed nerd podcast being hijacked by the amateur Pokemon casters, our host thinks he has everything needed to be prepared for his time on stage.
But speaking of evil, Emperor Palpatine himself had a panel. Ian McDiarmid had a lot of fun talking about the joys of the stage and working with George Lucas. If anything was off limits, it was dealing with the current state of politics. It kind of makes you wish that Trump actually watched movies. We would have gotten to this hellscape a lot sooner and have the rebellion prepared.
If there was anything more sinister than Darth Sidious, it was the layout of Twin Cities Con. To not think about that, Russ has included his review of Wes Craven's "Vampire in Brooklyn" starring Eddie Murphy. Lets hope that Saturday will be all sunshine and rainbows. Russ was once pro-wrestling's Sith Lord. The audience best be kind.
Bonus 7: Twin Cities Con 2024: Booze, Brian, "Blood and Bone"
CatBusRuss wraps up the last two days of Twin Cities Con and does his best to provide drunken affirmations to his guest for "Ninety For Chill: The Panel", ThePoeticCritic. This may have been the most patience his big sister ever displayed to him.
Our host decided to open this bonus episode of the podcast with tales of day three of the con, which was not much more than the Brian Posehn and some shopping. This decision was made after he listened to his drunken audio to make sure it was usable. As it turns out, Russ failed to talk about the day two "Hazbin Hotel" panel during that recording, so at least day three chatter is more than asking Brian about not getting to curse in his "Deadpool" comic book run.
As for day two, the two siblings talk about how well they thought the panel went and a panel that our host attended about what makes "Junk Food Cinema". This at least kept his mind off of the lousy karaoke and security set up.
So we have the Brian and the Booze, where's the blood and bone? Well, to justify the Netflix write off, CatBus went and reviewed the 2009 Michael Jai White action flick "Blood and Bone". It is like "Lionheart" but without JCVD's tears.
Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.
Taking Quad Cities Comic Con to 1985, Fan Expo Chicago 2026, Video Game Cinema
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