Tuesday, November 5, 2024

#FanService #Summer: "MaXXXine" and "Deadpool & Wolverine"

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 181: MaXXXine: A Ti West Fincher Flick

Eva the QueenKitty is ready for her sequel

Ti West has shown with his the "X" Duology from 2022 that he can be an excellent and innovative horror filmmaker. He created an insane pair of gory masterpieces with "X", an ode to the birth of slasher movies, and "Pearl", a fun bastardization of the burgeoning dance and fantasy worlds that sound and color provided us with. But, modern cinema works upon the "rule of threes". All features should be a part of a trilogy. Since audiences tend to only remember the final act, his third collaboration with Mia Goth, "MaXXXine", is placed in a tough spot.

Episode 182: #MarvelMonday: #Deadpool & #Wolverine & CouchmanBakes

Eva is more powerful than Cassandra Nova

2016's "Deadpool" qualified for "Ninety For Chill: The Podcast with CatBusRuss", so it is only fitting that the biggest movie of the 2024's summer should be addressed. Andrew "CouchmanBakes" Tiede was the guest whom CatBusRuss discussed the first film of the trilogy with. When our host was told by his frequent guest that he was going to skip a trivia night to see the third entry in the franchise, Russ knew he better be prepared to discuss that feature for the sake of content.

Couchman and CatBus had a ball discussing "Deadpool & Wolverine", but it is clear that the two appreciate the latest addition to the franchise in different ways. Neither of the talking heads claim this to be the best picture of the franchise, so it is a discussion of whether "Deadpool 2" or the threequel is superior. CatBusRuss maybe in the minority after a listening to the "In Love with Movies" podcast. "Deadpool & Wolverine" is undeniably great spectacle that should be seen, but CatBus is a plot driven guy.

"Dunkirk" is a theatrical spectacle. Does two comic book guys punching and cutting each other demand the price of admission? Couchman thinks that after $50 in soda cups, it is.


Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.

Stallone 6-Pack & Feels & Unspooling $200 Million Art/Gambles

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 179: Stallone 6-Pack: The 90-Minute Traumas & Feels

Eva is ready to spar with an awful director's cut

The king of action movies that run between 70-100 minutes is Sylvester Stallone. If the feature was focused on action over drama in the 80s, they were brief affairs. Some were good, some were bad, but they all benefit from their sleek runtimes.

CatBusRuss has tackled four* of Sly's features before, but did not have any representation from the current decade. So, he decided to bring back his reviews of "beloved" features like "Nighthawks", "Cobra", "Over the Top" and "Judge Dredd", and sandwich them between a two-picture binge. Our host takes 2022's superhero feature "Samaritan" and the 2021 re-edit of his favorite "Rocky" feature, "Rocky IV: Rocky vs. Drago - The Ultimate Director's Cut".

Russ goes through the entire range of emotions though out this episode. He pities the fans of Stallone's attempts to connect with kids, tears up for the relatable heroes, loves all of the outrageous moments, and experiences PTSD with the director's latest decisions. This podcast may be the emotional roller coaster that the icon has tried to deliver since the original "Rocky".

Episode 180: Unspooling $200 Million Art/Gambles with ThePoeticCritic

A cat confused with content and money

After “Furiosa: A Mad Max Saga’s” failure to succeed financially at the box office, CatBusRuss wonders “Why did it get made?” ThePoeticCritc states that it is IP and is happy that the funds were not put towards a super hero movie. Amy Nicholson from the “Unspooled” surprised Paul Scheer with how George Miller’s previous installment in his series lost $40 million for Warner Bros. The two still admired Miller’s 2015 film (as did the Academy and our host) and emphasized how great an artist he is. BUT, how can anyone justify spending nine figures on something that DaVinci only needed a literal canvas and paint for? ThePoeticCritic tries to explain the math.


Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.

90 min at $9.99 - "Rambo: Last Blood", Stallone Is a Sad Liam Neeson


I need to go to a Family Video at some point to check out what it costs to rent a DVD. $3.99 being a special rental rate for a movie on iTunes seems a bit high. It is especially high when you take into consideration that iTunes has a $4.99 for purchase section.

Yes, you can buy $4.99 DVDs and Blu-Rays at a video store, but those titles are far from new. A skip or two in "Suicide Girls Must Die" did not affect that film too much (as I predicted), but the stakes should be higher for "Rambo: Last Blood". On sale for $9.99 for a week (I would not be surprised if longer.), I thought purchasing it to ensure quality was a worthwhile gamble.

It has been 10 years since John Rambo had returned to the United States from Thailand, and the ranching life seems to suit him. He is now medicated, but old habits are hard to kick as he maintains a tunnel network under the family home. If anything, his paranoia allows him to be the perfect uncle to the orphaned Gabrielle who he has groomed into an equestrian ace and a scholar.

Despite having a loving family, Gabrielle cannot shake the feeling of being unwanted. This leads her to keep in contact with her delinquent friend Gizelle in Mexico. Her hopes are that her friend maybe able to locate the father who abandoned her. Gizelle succeeds and Gabrielle heads to confront him. Of course Rambo's niece does not know that Gizelle survives by working for a human trafficking's ring. When she does not return, Rambo throws his meds away and crosses the border with bringing along a hammer and a handgun.

Will the arms Rambo brought be enough to take her back? If you are the kingpins who took her, you better hope it is. He is only trying to be a hero. If anything happens to his family, you will be the target of his wrath.

Rambo is one of the first action heroes I was aware of. Or I should say, he seemed to work the most. Harrison Ford's Indiana Jones and Han Solo played a greater part in my development, but Sylvester Stallone seemed to relish playing this role more. My first true action movie going experience was "007: The Living Daylights", but when you grow up around kids whose parents did not care what they put into the VCR, you heard from everyone else how badass Rambo was. Sorry David Morrell, but this is the Rambo I gravitated to.


I have never actually watched "First Blood" from beginning to end. Rambo not trying to kill a small town (Directly at least, fuck their economy.) meant he was a really deep character, and his speech at the end of the film told me there was an important message behind the film. It was not until my teens that I saw any of the films, and frankly, the first film felt above my comprehension (Teens do include 11, right?). When you throw this guy back into Vietnam or land him in Afghanistan to win a war, that was easy for me to understand.  No unnecessary drama, just action and a sense of a man trying to find redemption is what I watched these films for. As I grew to love ridiculous effects, the more gore an installment had, the better it was.

"Rambo: Last Blood" was not as much as a hit when compared to the fourth installment. This left me wondering if it was just a bad movie. After comparing the Rotten Tomatoes scores and not seeing much of a difference, I determined this film deserves a chance to be viewed. This just shows that we need an action movie equivalent to the Tomatoes scale to better serve us fans of gratuitous violence. Too bad "Bloody Elbows" was already taken.

"Last Blood" is a revenge film, but it makes the mistake of having the instigating issue occur until the 45-minute mark. This is not the film I was hoping for. I was not interested in Stallone replacing Neeson in terms of using their particular set of skills. Because Sylvester Stallone wants to show that Rambo is finally civilized, he does not use his special traits when he comes to the rescue. The results only further humanize him, and that is not want I want from this legend.

Also, the action is reserved for the last 15 minutes of the film. Once Rambo finally kills/brutalizes someone in the bastardized predecessors (two through four), the action feels constant. The screenplay allows us to thoroughly enjoy the climax because we want his vengeance to be obtained, but it is not the journey we wanted to take to get there. Being a member of "The Last Jedi" is, at worst, the third best "Star Wars" film camp, I appreciate that Stallone and Matthew Cirulnic tried something new with the formula by attempting to rip our hearts out emotionally, but the past formula cannot be abandoned.

A part from the story missteps, the film suffers from having few opportunities for director Adrian Grunberg to shine. Perhaps he did not have the ability to shine, but I enjoyed his previous theatrical release, "Get the Gringo", so I know he was not talentless. Again, the finale is great, but with everything beyond the Rambo Ranch scenes being shot at night with no environmental effects (rain, dust, etc.), it just feels cheap. There are some scenes that could work in Grindhouse features, but he is making a "Rambo" movie, not a "Machete" sequel, so the efforts are lost on the typical filmgoer.

To get to the goretastic finale, you must love the character of Rambo to enjoy "Last Blood". I fall into that category, but I could see a lot of people being bored with this flick and skip to the literal heart-wrenching conclusion. If only we still had FlixMix ("Boogeymen: The Killer Compilation" and "Ultimate Fights") around to remedy this situation. Could you imagine a compilation film composed of the best scenes from films that might not be worth your time? Now "That's Entertainment."

9Gag - We can relate.

Ninety For Chill: "Pearl", Chicago #FanExpo 2024, and "Mallrats"

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 176: Pearl & an X-traordinary Announcement

If only I spelled Eva with an "A", I'd be as cool as Ti West

CatBusRuss found Ti West's "X" to be a genius work of horror and satire, so of course he is pumped for the trilogy's finale, "MaXXXine", which comes out this Fourth of July Weekend (2024). But, if he does not watch the middle feature of the series, is he showing West the proper respect he deserves? We cannot have that, so our host finally got to this iTunes purchase, "Pearl: An X-traordinary Origin Story", just in case the ghost of the first film's mass-murderer shows up to close out the franchise.

As for the announcement promised in the title, CatBusRuss has gotten a chance to bring Ninety For Chill: The Podcast to Chicago's oldest comic con, Fan Expo. All the details thus far are discussed.

Episode 178: Mallrats with @CouchManBakes & @JayMewes's Vocabulary

Check out @CatBusRuss on Instagram to see the outtakes



Snoogans!

CatBusRuss and Andrew "Couch Man Bakes" Tiede have been meaning to cover Kevin Smith's filmography for some time, but did not know quite how to tackle it. Mrs. Tiede may have had some influence on the proceedings because we are only focusing on one film from the Jersey's auteur instead of taking her man away for hours to cover it all. The show's guest thought it was best to tackle what seems to be every millennials first step into the View Askewniverse, 1995's "Mallrats".

Our host, being able to see R-rated movies in theaters sooner, introduction to the Red Bank native's world was "Dogma", but good luck finding that feature streaming. Russ may consider selling his Blu-Ray for $150...may consider.

"Mallrats" is a movie that was 30 years ahead of its time. Perhaps it is because of Smith's insistence on writing the same type of movie during the last three decades. Only nerds and outcast talked about superhero coitus in the 90s. With geek now being chic, everyone talks like his characters and can relate to them. Or at least the podcasters do.


Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.

Everyone Was #Mystic #KungFu #Fighting

Ninety For Chill: The #Podcast with @CatBusRuss

Episode 171: #AniMay Spectacle: "Jujutsu Kaisen 0" with James Slunder

Eva the Queen Kitty is mystical as any of the JJK student body

And this is why ¯\_(ツ)_/¯ is the top trivia team in Downstate Illinois. 
James Slunder comes to the rescue to make sure CatBusRuss does the month of Ani-May right. The team's self-proclaimed anime expert suggested our host watch the prequel to the "Jujutsu Kaisen" television series, the 2021 motion picture "Jujutsu Kaisen 0".

The result of this suggestion is a clash between generations of fandom. We use the term self-proclaimed expert to describe James because he was not around during the days of Streamline Pictures/Central Park Media and multicolored VHS tapes. Our host feels there has to be something from his tape collecting days that gives him the edge when it comes to being an otaku.

Anime has become a lot brighter and more colorful, and CatBus may sound like an old man shouting at clouds because it is too busy for it to have that nineties, Suncoast charm. He also did not watch many magical high school themed cartoons.

Fortunately, JJK0 (James says that is what the cool kids call it.) is "Harry Potter" on steroids. Who needs Quidditch when you wield a cursed katana alongside a giant, anthropomorphic Panda and a classmate whose voice is cursed to the point that he can only safely speak in rice ball ingredients. And of course you have some "will they, won't they" relationship to tease some tension. This is how they needed to sell the third "Fantastic Beast" flick.

Episode 173: Mortal Kombat (1995) & Collateral Cinema

Eva the Queen Kitty being blessed by the penguin god of thunder

CatBusRuss and Collateral Cinema's Beau Maddox have been interacting with each other since our host joined Bluesky. Over the past week, they finally have found a feature that the two felt good about collaborating on. "Ninety For Chill: The Podcast with CatBusRuss" has covered Paul WS Anderson's "Mortal Kombat" before, but that was to pay tribute to French action star Christopher Lambert. Beau and Russ will take a look at this beloved feature from all angles. The effects that still hold up, the less is more style of direction, and the charm of special effects that do not hold up after 4K TV's came into existence.

Does this lead to the conclusion that the nineties, with hindsight, were a good time for video game film adaptations? Is Hollywood still underutilizing Cary-Hiroyuki Togawa and Linden Ashby? Should this script been delivered to John Carpenter?

We discover the two have their polarizing opinions of the work of Tom Green, so we quickly learn that conversational fireworks maybe a possibility. Perhaps it is that heat that lead to the pod's technical difficulties and not Beau's phone overheating. Russ hopes that throwing in his review of Sylvester Stallone's "Escape Plan: The Extractors" will be an adequate apology for those issues.

#FanService #Summer: "MaXXXine" and "Deadpool & Wolverine"

Ninety For Chill: The #Podcast with @CatBusRuss Episode 181: MaXXXine: A Ti West Fincher Flick Ti West ⁠  has shown with his the "X&q...