Monday, June 30, 2025

Netflix DVD: Titan AE or Don Bluth's "The Transformers: The Movie"

It seems like the new job is allowing me to keep up the blog (so that they would eventually use it to terminate me "with cause). But, daytime hours have really altered the sleep schedule, hence my pulse on what is happening in the world. And I definitely do not have the time to hear the ultra-right wing version of it from my mother.


I do need to call her more, but obviously she likes the idea of unwinding in the early morning more than I. And for everybody, that is a good thing. She stays up, she watches Fox News. She calls it quits after "NCSI" reruns end, we are better for it.

A couple of nights ago, during one of my girlfriend's random existential moments, I offered an exchange from the Luc Besson classic Lucy. Researching for this blog, I found out I butchered it.

Professor Norman: I'm not even sure that mankind is ready for it. We're so driven by power and profit. Given man's nature, it might bring us only instability and chaos.

Russ (simplifying): Ignorance is bliss.

Lucy: Ignorance brings chaos, not knowledge.

Russ (simplifying): Ignorance is ignorance.

Why am I referring to this calling it a night conversation? Because I was discussing if it was okay to keep baby boomers out of the loop. Since they got 20-30 years left, on the surface, it sounds like a good idea since the left has to be unified in 2020 (I am leaning towards Andrew Yang now, but Beto just knows his rights from wrong), but no human should want that. It just feels like Fox News is doing what I always joked about whenever the "Hooked on Phonics" commercial came on the tube in the 90's. Why had not anyone tried to teach people how to be stupid? Is there something wrong with me for always wanting to try and reimagine and bastardize "As Seen on TV" products?


After thinking through that paragraph, I realize that all Fox News is doing is just keeping old people and idiots ignorant instead of devising some strategy to reverse their intelligence like my plan to make people unlearn reading. Refusing to learn is an entirely different think.

Which brings us to Don Bluth's last great effort to stay in the animation game, "Titan A.E." It is a well-meaning effort, but insisting on sticking to his trademarks took away from anything new the film tried to introduce. (Sorry for failing to use Fox News experiment and "Rats of NIHM" transition).

In 3028, a race of aliens who are made up of pure energy, The Drej, destroy Earth in attempt to prevent Professor Sam Tucker from succeeding in his latest experiment, the Titan. Since the Drej will be focusing on destroying him, the professor determines that it was best to leave his son Cale in the care of Tek, an alien who proves to be a good mentor as humans have become ridiculed by other races for struggling on.

15 years later, Cale is working on a space salvage crew and has given up on humanity getting off the endangered species list. That is until Captain Joseph Korso shows up, and requests that he actually make an effort to save the human race. The kid must serve a greater purpose in the preservation of mankind because The Drej are not far behind Korso. Saving humanity and running for his life make joining the Korso's team his only option.

But why have the Drej involved Cale in their goal of expediting homo sapien extinction. It turns out that the ring his father gave him when they went their separate ways is a means to track the location of the Titan. If Korso's crew can get to it first, humanity maybe able to start again. If the Drej do, all hope is lost. We all need hope, so Cale's cynicism is abandoned and the fate of our culture rests with him.

If a ninety-minute, science fiction tale takes three paragraphs to summarize coherently, (at least by myself, more power to the Netflix sleeve writer), it may be a tough feature for most to get through. "Titan AE" is at least tougher than "Fist of the North Star" which took only two paragraphs and was a half hour longer. The butt rock and late 90's MTV punk soundtrack does not help 20th Century Fox's animated feature.

"Titan A.E." soundtrack and pace is very reminiscent of "The Transformers: The Movie". The soundtrack for the latter was better, but otherwise, Don Bluth put a lot of effort into his feature. Unfortunately, he still is in love with the great environment created, that his characters are downplayed, and with CG effects, are almost invisible at points. This leaves us with many scene where you got to squint to determine if anything is moving or are you just staring at a matte-painting.

As for the use of CG in creating the Drej, I think it still holds up nearly 20 years later, but aside from looking different, dare I say alien, there is not much to their design. On top of that, there is not much to their character, let alone their motivation. They are willing to deal with other humans to destroy the less greedy ones which makes no sense without spoilers.

Like "Transformers" a vague enemy means you are just trying to compose a film with a bunch of action scenes, and to do that, they just put our characters on random adventures. Perhaps there are too many protagonists. The biggest problem with that is the flick has a lot of great voice talent.

It is a Matt Damon starring movie, so there is going to be some "white-washing", and I just feel Ron Perlman is misused in normal roles, but you will like John Leguizamo performance, Nathan Lane's seems more unique than most of his roles, and Janeane Garofalo shows that Hollywood had always under utilized her. If there can be any complaints about these characters is that the chemistry between Damon and Drew Barrymore is just something we as an audience are just supposed to accept. It is very much Kelly McGillis and Tom Cruise from "Top Gun". You almost have to admire "Transformers" for Arcee not giving Hot Rod a wink, wink, nudge, nudge.

If you are going to sit a kid down and distract them for 90 minutes, "Titan A.E." might be an adequate change from Disney. Of course, I have a nephew and niece who sing Fall Out Boy after seeing "Big Hero 6." They would be a lot cooler yelling out some Stan Bush. Just trust me that your little ones may get something out of it and it is beyond appropriate for them, that way you do not have to yearn for Don Bluth's 80's by watching this film.

Titan A.E. poster from @ogarzia on Pinterest

AnimeFlow's Conclusion: El Hazard 2: Tape 2 and Tenchi Forever

El Hazard 2: Promise for Reunion

Genre: comedy/fantasy
Length: 60 minutes (2 episodes)
Audience Age: 13+
Opinion: No El Hazard fan should be let down by this bonus story to the anime universe.
This is a review of the subtitled VHS version.



Techi Muyo! In Love 2


Techi Muyo! In Love 2

"Tenchi Forever" DVD box art


Tenchi Forever: The Movie

Genre: dramedy/sci-fi fantasy 
Length: 95 minutes (Theatrical Film)
Audience Age: 16+ 
Opinion: The only addition to the series that can make any anime fan respect "Tenchi Muyo!".
This is a review of the dubbed VHS version.

Die Hard Game Fan's critic's favorite anime of 2000.


Like every other "Tenchi Muyo!" theatrical addition, the film starts with a seemingly normal day for Tenchi that is until an argument between Ryoko and Ayeka forces him to flee into the forest near their house. Looking for some peace and quiet, to his surprise he sees a bud of a camellia tree, but it is out of season. He searches for and finds this beautiful plant which seems to draw him into it. 

Six months later, Tenchi has yet to return from his trek into the woods. Ayeka and Ryoko have gone to Tokyo to find him while the other girls have gone to Planet Jurai and the Space Science Academy to find out where he could have gone. Could Tenchi have gone to another world or, as Washu has hypothesized, another dimension? What does Yosho know about the tree he planted? If you recall why Tenchi ran off, does he even want to comeback? Despite no one's life maybe on the line, this could be one of the gravest scenarios.

No matter how tedious Tenchi Muyo! is, I never mind seeing new stories about the series' hero. Tenchi never seems to disappoint its fans, so when "Tenchi Forever" came out, I had to pick it up. Surprisingly, I did not expect it to be so great and that it also earned the 16 Up rating by being the most mature and sophisticated Tenchi installment ever.

Haruna's tree spirit 23K (scanned from the back of VHS box)What a brilliant film for a TV/OVA (Original Video Animation) series. Tenchi Forever's colors are bland (possibly for dramatic effect), there are not many technical advances over the other series, and by no means is it as funny as the lamest Tenchi episodes. But its ability of finding how to use the main characters to their full dramatic potential puts it above the rest of the series.

This film nearly being a total drama justifies its Japanese theatrical release by having the essential dark and dreary plot, but it makes it work which is a rarity for spin offs to the big screen. Perhaps some characters are under utilized and I found the ending somewhat disappointing (an issue of personal taste/ideals), nothing else from the film can bring it down from being the top release of all Tenchi series.

Episode 108: B-Fest 2023: Kaiju & Blobs & Roller Disco & Dafoe Leather & Uwe Boll

Eva's expression is beyond appropriate for Uwe Boll

Allow me to get out of third-person. Happy Prof. Shurtleff of Illinois Central College? I (CM Darth) will try not to make so much light of violent death in this summation. This is my declaration of changing perspective.

Life has been pretty hectic recently. I have just started a second job, so finding time to write the blogs for each podcast episode has obviously been difficult. So far, Mondays have been free, but that is just the prelude to a 50-hour work week. By Sunday, catching up on all the AEW Wrestling programming is what comes first and foremost.

I am still determined to keep up the podcast, but the past week was tough. There was a recording scheduled, but other people have lives, so it did not pan out. Unless guests want to stay up late, Sundays are the only day that I am certain can be made for podcasting. With that said, if you have a movie or topic that you want to chat about, send an email to russthebus07@gmail.com.

Or, if you cannot be on the show, let me know of cool cinematic events that I can attend. Or, give me some feedback about the idea of a Patreon. I have to get gas money to drive up to the Music Box Theater every weekend. Two more stays are necessary for me to remain a gold member with Hilton Honors as well.

The actual solution to my issues is, again, to move up to Chicagoland. My landlords upping my rent another $50 like the prior year. What happened to consideration initially provided for the red stain that knocked $50 off my initial rent? What could that substance be?


So I think that means B-Fest was a success for me this year. I am bitching more about my life than enduring what is essentially a double feature in "Xanadu" and Uwe Boll's "BloodRayne". Regardless of the quality of the closing features, fun was still had throughout the two films. That is a step up from last year's "Godzilla" cartoon and "Beast from Haunted Cave".

It may have been the larger crowd. The audience must have been three times larger than the 2022 crowd. In other words, I did not get a couple of Italian exploitation films as a door prize. This larger crowd did allow for some shadow casts and other odes to "The Rocky Horror Picture Show". More importantly, I got to see Rick Moranis try to stand up to a leather suspender-sporting Willem Dafoe in "Streets of Fire".

"Big Man Japan" was awesome and "The Children" and "American Ninja" are the type of films that drive this podcast. With how hectic my life is, I am proud to say that I am already pumped for "B-Fest 2024". See you then.

#ICC25 30 Years of Bad Sci-Fi, "Companion (2025)", an End to the Gregory Carl Era

 

I Dig Crazy Flicks with @CatBusRuss

Episode 219: #ICC25: 1995 - 30 Years of Bad Sci-Fi Movies We Love (with Lynette Eklund & Madison Martin)

Is that Lynette Eklund in the Sil costume

CatBusRuss ponders if the Indiana Comic Convention appreciates that he has been promoting the fun of the 2025 event for nearly two months after it had concluded. The odds are looking good that he will be invited to sister con, ATL Comic Convention, near the end of July, so "I Dig Crazy Flicks" panel coverage does not seem to be hurting their opinion of him.

This podcast covers the last panel he "moderated". The premise was to discuss the sci-fi films that bombed either critically or financially (and in the event of the financial flops, the critics were not too kind at the time), but VHS provided the seeds for new cults to emerge. Too bad the panelists all had multiple panels over the three day event, so the "Ghoulies" may have eaten their homework. They decided to embrace the title instead of the description. Thus the three went on to hold a celebration of bad sci-fi movies from the eighties and nineties that are beloved.

Our podcast host is joined by Indianapolis-based promoter Madison Martin and LEGENDARY creature effects fabricator and performer, Lynette Eklund. She was the star of the show having done FX work on two of the 1995 films suggested in the description, "Tank Girl" and "Species". Being an monster-making master, she tended to favor horror features.

CatBusRuss is game for that kind of conversation, but he soon found that Lynette was out to put him in his place for feeling that horror is the ideal place to get political. She does her best to make it clear that things with sharp teeth and claws are scary enough. When you are getting chased down by one of these things, are you really thinking about the socio-economic factors that are motivating them?


Episode 221 - "Companion" featuring "Cherry 2000" and Gregory Carl

Jack Quaid and Sophie Thatcher from "Companion"

CatBusRuss's favorite Michael Crichton film was 1973's "Westworld". He is also more of a Jonathan Nolan fan than his older brother. Gregory Carl is quite the well-read, sci-fi-loving truck stop employee in Central Illinois. "Do Androids Dream of Electric Sheep?" is a tale he is fascinated by. Thus, "Companion" is a film the two should have quite an interesting conversation about.

And for this podcast's host, it was indeed interesting. Can a robot consent? Gregory, an aspiring comedian, tries to question if consent can actually exist. This leads to a bit of editing of the conversation to protect the parties involved. To make up for it, Russ watched "Cherry 2000" to further explore the inevitable objectification of synthetic life. He may have found that it should be treated as equal. It maybe said, CatBus just does not think you should be a bad person to anyone regardless of who/what they are.

In the end, perhaps the two even think we should all love those who want to be loved. Except for CM Punk in CatBus's case, and Gregory has a few names as well.

 

Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.

Netflix DVD: Titan AE or Don Bluth's "The Transformers: The Movie"

It seems like the new job is allowing me to keep up the blog (so that they would eventually use it to terminate me "with cause). But, d...